{"id":8269,"date":"2026-06-24T18:10:38","date_gmt":"2026-06-24T16:10:38","guid":{"rendered":"https:\/\/ambankara.esteri.it\/?p=8269"},"modified":"2026-06-25T17:40:44","modified_gmt":"2026-06-25T15:40:44","slug":"performans-varolusun-yeni-geometrileri-ivrea-pozzuoli","status":"publish","type":"post","link":"https:\/\/ambankara.esteri.it\/tr\/news\/dall_ambasciata\/2026\/06\/performans-varolusun-yeni-geometrileri-ivrea-pozzuoli\/","title":{"rendered":"Performans \u201cVarolu\u015fun Yeni Geometrileri (Ivrea\/Pozzuoli)\u201d"},"content":{"rendered":"<p style=\"text-align: justify;\">\u0130talya\u2019n\u0131n T\u00fcrkiye B\u00fcy\u00fckel\u00e7ili\u011fi ve \u0130stanbul \u0130talyan K\u00fclt\u00fcr Merkezi, Benedetta Casini\u2019nin k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde ve studioconcreto\u2019nun bilimsel koordinasyonunda, Italian Council\u2019\u0131n 14. edisyonunun kazanan\u0131 Antonio Della Guardia\u2019n\u0131n \u201c<strong>Varolu\u015fun Yeni Geometrileri (Ivrea\/Pozzuoli)<\/strong>\u201d adl\u0131 eserini, 26 Haziran\u2019da saat 19.00\u2019da \u0130stanbul&#8217;da <a href=\"https:\/\/www.arter.org.tr\/home\">Arter<\/a>\u2019de ger\u00e7ekle\u015ftirecek.<\/p>\n<p style=\"text-align: justify;\">Mimarl\u0131k, beden ve i\u015f dinamiklerindeki d\u00f6n\u00fc\u015f\u00fcmler aras\u0131ndaki ili\u015fkileri ara\u015ft\u0131rmaya adanm\u0131\u015f, daha \u00f6nce hi\u00e7 g\u00f6r\u00fclmemi\u015f ve \u00f6zg\u00fcn bir performans, uluslararas\u0131 pr\u00f6miyeriyle T\u00fcrk izleyicilere sunuluyor.<\/p>\n<p style=\"text-align: justify;\">Proje, Olivetti miras\u0131na ait mimari yap\u0131lar\u0131n performatif bir haritaland\u0131rmas\u0131 olarak kurgulanm\u0131\u015f olup, Ivrea ve Pozzuoli\u2019deki mekanlarda ba\u015flat\u0131lm\u0131\u015ft\u0131r ve uluslararas\u0131 ba\u011flamlarda devam ettirilmesi planlanmaktad\u0131r. Proje, Olivetti modelinin k\u00fclt\u00fcrel ve sosyal miras\u0131n\u0131 \u00e7a\u011fda\u015f i\u015f d\u00fcnyas\u0131ndaki d\u00f6n\u00fc\u015f\u00fcmlerle ili\u015fkilendirerek, bu modeli karakterize eden insani ve i\u015f idealleri ile g\u00fcn\u00fcm\u00fcz \u00fcretim ko\u015fullar\u0131 aras\u0131ndaki gerilimleri ortaya \u00e7\u0131karmaktad\u0131r.<\/p>\n<p style=\"text-align: justify;\">Olivetti mekanlar\u0131n\u0131n ritimlerinden ve hacimlerinden yola \u00e7\u0131kan Antonio Della Guardia, hareketin yap\u0131 ile do\u011frudan ili\u015fki kurdu\u011fu bir koreografi tasarl\u0131yor. Beden ile yap\u0131l\u0131 mekan aras\u0131ndaki s\u0131k\u0131 bir uyum arac\u0131l\u0131\u011f\u0131yla sanat\u00e7\u0131, \u00fcretim mekanlar\u0131n\u0131n sembolik boyutunu yeniden canland\u0131r\u0131yor ve Olivetti\u2019nin toplumsal vizyonunu, direni\u015f ve yeniden sahiplenmeyi i\u00e7eren bir koreografik ve ses dizisine d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor.<\/p>\n<p style=\"text-align: justify;\"><strong>ANTONIO DELLA GUARDIA<\/strong> Antonio Della Guardia\u2019n\u0131n (d. 1990) ara\u015ft\u0131rmalar\u0131, y\u0131llard\u0131r \u00e7a\u011fda\u015f i\u015f d\u00fcnyas\u0131n\u0131n beden ve bili\u015fsel s\u00fcre\u00e7ler \u00fczerinde yaratt\u0131\u011f\u0131 etkiler \u00fczerine odaklanmakta; ama\u00e7, bu etkilerin izlerini ortaya \u00e7\u0131karmak ve ayn\u0131 zamanda bunlara kar\u015f\u0131 koyan yarat\u0131c\u0131 bi\u00e7imler ve s\u00fcre\u00e7ler geli\u015ftirmektir. 2025 y\u0131l\u0131nda, 18. Roma Sanat quadrienali&#8217;ne davet edilen sanat\u00e7\u0131lar aras\u0131nda yer alm\u0131\u015f ve Gen\u00e7 Sanat \u00d6d\u00fcl\u00fc&#8217;n\u00fc kazanm\u0131\u015ft\u0131r. Eserleri, \u0130talya&#8217;da ve yurtd\u0131\u015f\u0131nda \u00e7e\u015fitli kamu ve \u00f6zel kurumlarda sergilenmi\u015ftir; bunlar\u0131n aras\u0131nda Buenos Aires&#8217;teki MUNTREF; Roma&#8217;daki MAXXI; Zagreb&#8217;deki NMMU; C\u00f3rdoba&#8217;daki MEC (Arjantin); Hangzhou\u2019daki CAA Sanat M\u00fczesi; Roma\u2019daki MACRO; Milano Trienali; Roma Ulusal Modern ve \u00c7a\u011fda\u015f Sanat Galerisi; Trieste\u2019deki Revoltella M\u00fczesi; Roma\u2019daki Palazzo Esposizioni; Torino\u2019daki OGR; Cluj-Napoca\u2019daki Centrul De Interes; Caracas\u2019taki La Caja, Roma\u2019daki Pastificio Cerere Vakf\u0131; Torino\u2019daki Sandretto Re Rebaudengo Vakf\u0131; Kiev\u2019deki Izolyatsia Vakf\u0131, Milano\u2019daki Elpis Vakf\u0131; Napoli\u2019deki Morra Greco Vakf\u0131, Como\u2019daki Antonio Ratti Vakf\u0131, Zagreb, Krakow, Oslo, Caracas ve Var\u015fova\u2019daki \u0130talyan K\u00fclt\u00fcr Enstit\u00fcleri yer almaktad\u0131r.<\/p>\n<p style=\"text-align: justify;\"><strong>BENEDETTA CASINI<\/strong> (1991, Bolonya) k\u00fcrat\u00f6r ve ara\u015ft\u0131rmac\u0131d\u0131r. 2017\u2019den beri BIENALSUR k\u00fcrat\u00f6rler konseyinin bir \u00fcyesidir ve 2026\u2019dan beri Latin Amerika\u2019ya odaklanan dijital sanat dergisi exibart latam\u2019\u0131n direkt\u00f6rl\u00fc\u011f\u00fcn\u00fc y\u00fcr\u00fctmektedir. 2026 y\u0131l\u0131nda Roma\u2019daki Real Academia de Espa\u00f1a\u2019da konuk bursiyerlerin k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc \u00fcstlendi. Napoli\u2019deki Madre-Museo d\u2019Arte Contemporanea Donnaregina, Buenos Aires\u2019teki CCK-Centro Cultural Kirchner, Barselona\u2019daki MACBA-Museo d\u2019arte contemporanea ve Roma\u2019daki MAXXI-Museo Nazionale delle Arti del XXI secolo gibi kurumlarla i\u015fbirli\u011fi yapm\u0131\u015ft\u0131r.<\/p>\n<p style=\"text-align: justify;\"><strong>STUDIOCONCRETO\u00a0<\/strong>2018 y\u0131l\u0131nda Luca Coclite ve Laura Perrone taraf\u0131ndan kurulan STUDIOCONCRETO, sanat\u0131 g\u00fcndelik ya\u015fam\u0131n hareketleriyle birle\u015ftiren \u00e7e\u015fitli sanatsal deneme bi\u00e7imleri arac\u0131l\u0131\u011f\u0131yla, bedenle ilgili baz\u0131 sosyopolitik temalar\u0131n mimariyle ili\u015fkisi ba\u011flam\u0131nda ortaya \u00e7\u0131kan kritik meseleleri ele alma ihtiyac\u0131ndan do\u011fmu\u015ftur. \u00c7o\u011funlukla kendi kendine organize olan ve kurumsal tasar\u0131m planlamas\u0131na z\u0131tl\u0131k olu\u015fturan al\u0131\u015f\u0131lmad\u0131k mekanlar\u0131n proksemik yap\u0131s\u0131 \u00fczerine d\u00fc\u015f\u00fcnerek, studioconcreto kamusal alanda ger\u00e7ekle\u015fen bulu\u015fmalardan olu\u015fan \u00e7apraz koreografiler; ulusal ve uluslararas\u0131 sanat\u00e7\u0131larla i\u015fbirli\u011fi i\u00e7inde sergiler; at\u00f6lyeler ve radikal pedagoji uygulamalar\u0131; canl\u0131 performanslar; yeni teknolojiler arac\u0131l\u0131\u011f\u0131yla m\u00fcdahaleler ve giri\u015fimler; \u00f6zellikle politik ve sosyal i\u00e7erikli konulara odaklanan \u00e7a\u011fda\u015f sanat yarat\u0131m\u0131 alan\u0131nda ara\u015ft\u0131rma ve deneysel projeler \u00fcretir ve yayg\u0131nla\u015ft\u0131r\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":"\u0130talya\u2019n\u0131n T\u00fcrkiye B\u00fcy\u00fckel\u00e7ili\u011fi ve \u0130stanbul \u0130talyan K\u00fclt\u00fcr Merkezi, Benedetta Casini\u2019nin k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde ve studioconcreto\u2019nun bilimsel koordinasyonunda, Italian Council\u2019\u0131n 14. edisyonunun kazanan\u0131 Antonio Della Guardia\u2019n\u0131n \u201cVarolu\u015fun Yeni Geometrileri (Ivrea\/Pozzuoli)\u201d adl\u0131 eserini, 26 Haziran\u2019da saat 19.00\u2019da \u0130stanbul&#8217;da Arter\u2019de ger\u00e7ekle\u015ftirecek. Mimarl\u0131k, beden ve i\u015f dinamiklerindeki d\u00f6n\u00fc\u015f\u00fcmler aras\u0131ndaki ili\u015fkileri ara\u015ft\u0131rmaya adanm\u0131\u015f, daha \u00f6nce hi\u00e7 g\u00f6r\u00fclmemi\u015f ve \u00f6zg\u00fcn bir performans, uluslararas\u0131 [&hellip;]","protected":false},"author":9,"featured_media":8251,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"tags":[],"class_list":["post-8269","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/posts\/8269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/comments?post=8269"}],"version-history":[{"count":3,"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/posts\/8269\/revisions"}],"predecessor-version":[{"id":8281,"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/posts\/8269\/revisions\/8281"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/media\/8251"}],"wp:attachment":[{"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/media?parent=8269"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/tags?post=8269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}