\u0130talya’n\u0131n Ankara B\u00fcy\u00fckel\u00e7ili\u011fi ve \u0130talya D\u0131\u015fi\u015fleri ve Uluslararas\u0131 \u0130\u015fbirli\u011fi Bakanl\u0131\u011f\u0131, Fondazione Torino Musei (Torino M\u00fczeler Vakf\u0131) ve Cermodern i\u015fbirli\u011fiyle, 15 May\u0131s’ta Ankara’da, \u0130kinci D\u00fcnya Sava\u015f\u0131’n\u0131n sonundan 2000’li y\u0131llar\u0131n ba\u015f\u0131na kadar \u00e7ekilen ve \u0130talya’n\u0131n hikayesini foto\u011fraflarla anlatan 130’dan fazla foto\u011fraftan olu\u015fan \u201cB\u00fcy\u00fcl\u00fc \u0130talya\u201d sergisinin a\u00e7\u0131l\u0131\u015f\u0131n\u0131 ger\u00e7ekle\u015ftirdi. Sergi, 14 \u00f6nemli foto\u011fraf\u00e7\u0131 taraf\u0131ndan ke\u015ffedilen yar\u0131madan\u0131n manzaras\u0131n\u0131 ve \u015fehirlerini g\u00f6zler \u00f6n\u00fcne sererken \u0130talya’n\u0131n mimarisini, k\u00fclt\u00fcr\u00fcn\u00fc ve insani, sosyal ve ekonomik geli\u015fimini vurguluyor.<\/p>\n
Nino Migliori, Gianni Berengo Gardin, Mimmo Jodice, Mario Cresci, Mario Giacomelli, Franco Fontana, Luigi Ghirri, Ugo Mulas, Uliano Lucas, Ferdinando Scianna, Gabriele Basilico, Aurelio Amendola, Enzo Obiso, Bruna Biamino gibi b\u00fcy\u00fck foto\u011fraf ustalar\u0131n\u0131n eserleri GAM Galleria d’Arte Moderna e Contemporanea di Torino (Torino Modern ve \u00c7a\u011fda\u015f Sanat Galerisi) ile Fondazione per l’Arte Moderna e Contemporanea CRT’nin (Modern ve \u00c7a\u011fda\u015f Sanatlar Vakf\u0131 CRT) \u00f6nemli foto\u011fraf koleksiyonuna ait olan eserler, 27 Temmuz’a kadar (Pazartesi g\u00fcnleri hari\u00e7 her g\u00fcn 10.00-19.00 saatleri aras\u0131nda) Ankara’ da Cermodern M\u00fcze’de izleyicilerin ziyaretine a\u00e7\u0131k olacak.<\/p>\n
Siyah-beyaz ve renkli foto\u011fraflar, Alp da\u011flar\u0131ndan Torino ve Milano gibi b\u00fcy\u00fck \u015fehirlere uzanan, ard\u0131ndan Emilya s\u0131rt\u0131 boyunca devam eden ve Napoli, Matera ve Sicilya \u00fczerinden g\u00fcneye do\u011fru inen \u2018d\u0131\u015f mekanlar\u0131\u2019 yeniden yorumlamak amac\u0131yla se\u00e7ilmi\u015ftir. Manzaralar, mekanlar ve hatta s\u00f6zde mekans\u0131zl\u0131klar<\/em> bu genel incelemenin birer par\u00e7as\u0131d\u0131r.<\/p>\n Neo-realizm<\/strong> ve siyasi belgeler<\/strong> kapsam\u0131ndaki erken d\u00f6nem \u2018r\u00f6portajlar\u2019, \u0130talyan peyzaj\u0131n\u0131n<\/strong> ve mimari belgelemenin g\u00f6r\u00fcn\u00fc\u015fte basit bir optik hakikat aray\u0131\u015f\u0131nda oldu\u011fu gibi y\u00fcksek bi\u00e7imcilik okumalar\u0131n\u0131n distilasyonlar\u0131yla ku\u015fat\u0131lm\u0131\u015ft\u0131r. Bu sergi, ziyaret\u00e7iyi yo\u011fun ve farkl\u0131 duyarl\u0131l\u0131klar\u0131n ve atmosferlerin<\/strong> s\u00fcrekli de\u011fi\u015fimine<\/strong> ta\u015f\u0131may\u0131 ve konu-peyzaj yorumlar\u0131n\u0131n tarihsel-zamansal bir perspektifini ortaya \u00e7\u0131karmay\u0131 ama\u00e7l\u0131yor. Anl\u0131k \u00e7ekilen bir fotogram ile dikkatle \u00e7al\u0131\u015f\u0131lm\u0131\u015f durumlar aras\u0131nda ayr\u0131m yapmadan, g\u00f6r\u00fcnt\u00fcn\u00fcn yeni retoriklerine yer a\u00e7an anti-retorik anlat\u0131lar.<\/p>\n \u0130talya’n\u0131n T\u00fcrkiye B\u00fcy\u00fckel\u00e7isi Giorgio Marrapodi’nin de belirtti\u011fi gibi, “Sergi ola\u011fan\u00fcst\u00fc bir sanatsal yolculu\u011fu g\u00f6zler \u00f6n\u00fcne seriyor ve kamuoyuna \u0130talya’n\u0131n b\u00fcy\u00fck etki yaratan g\u00f6rsel bir anlat\u0131s\u0131n\u0131<\/strong> sunuyor. Foto\u011fraflar, 58 farkl\u0131 UNESCO miras sahas\u0131yla da kan\u0131tland\u0131\u011f\u0131 \u00fczere, \u0130talya’n\u0131n sanatsal, k\u00fclt\u00fcrel, \u00e7evresel ve kentsel miras\u0131n\u0131n ne kadar zengin oldu\u011funu g\u00f6zler \u00f6n\u00fcne seriyor. Bu rakam \u0130talya’y\u0131 d\u00fcnya \u00e7ap\u0131nda birincili\u011fe ta\u015f\u0131maktad\u0131r. Bu prestijli sonu\u00e7, sergide yer alan tan\u0131kl\u0131klardan da a\u00e7\u0131k\u00e7a ortaya \u00e7\u0131kmaktad\u0131r. Bu se\u00e7kiyi Ankara’da Cermodern’de sunma karar\u0131 bir\u00e7ok kurumun \u00f6zverisinden<\/strong> kaynaklan\u0131yor ve \u0130talya’n\u0131n peyzaj, k\u00fclt\u00fcrel ve mimari zenginli\u011fi bir araya getiren s\u00fcrd\u00fcr\u00fclebilir kalk\u0131nma modelini aktarmay\u0131 ama\u00e7l\u0131yor. Bu giri\u015fimin \u0130talyan ya\u015fam tarz\u0131na <\/strong>ve Made in Italy<\/em><\/strong>‘ye olan ilginin artmas\u0131na katk\u0131da bulunaca\u011f\u0131na ve \u0130talya ile T\u00fcrkiye aras\u0131nda yeni ve \u00f6nemli k\u00fclt\u00fcrel k\u00f6pr\u00fcler kuraca\u011f\u0131na eminim. Sanatsal ve \u00e7evresel rota ayn\u0131 zamanda, bu serginin de bir par\u00e7as\u0131 olmas\u0131ndan gurur duydu\u011fumuz ve \u00e7a\u011f\u0131m\u0131z\u0131n iklimsel, teknolojik, demografik, sosyal ve ekonomik b\u00fcy\u00fck de\u011fi\u015fimleri konusunda kamuoyunda fark\u0131ndal\u0131k yaratmay\u0131 ama\u00e7layan S\u00fcrd\u00fcr\u00fclebilir Kalk\u0131nma Festivali kapsam\u0131nda d\u00fczenlenen etkinlikler ba\u011flam\u0131nda \u0130talya’n\u0131n da te\u015fvik etti\u011fi s\u00fcrd\u00fcr\u00fclebilirlik ve biyo\u00e7e\u015fitlilik<\/strong> de\u011ferlerine de yer vermektedir”.<\/p>\n","protected":false},"excerpt":{"rendered":"\u0130talya’n\u0131n Ankara B\u00fcy\u00fckel\u00e7ili\u011fi ve \u0130talya D\u0131\u015fi\u015fleri ve Uluslararas\u0131 \u0130\u015fbirli\u011fi Bakanl\u0131\u011f\u0131, Fondazione Torino Musei (Torino M\u00fczeler Vakf\u0131) ve Cermodern i\u015fbirli\u011fiyle, 15 May\u0131s’ta Ankara’da, \u0130kinci D\u00fcnya Sava\u015f\u0131’n\u0131n sonundan 2000’li y\u0131llar\u0131n ba\u015f\u0131na kadar \u00e7ekilen ve \u0130talya’n\u0131n hikayesini foto\u011fraflarla anlatan 130’dan fazla foto\u011fraftan olu\u015fan \u201cB\u00fcy\u00fcl\u00fc \u0130talya\u201d sergisinin a\u00e7\u0131l\u0131\u015f\u0131n\u0131 ger\u00e7ekle\u015ftirdi. Sergi, 14 \u00f6nemli foto\u011fraf\u00e7\u0131 taraf\u0131ndan ke\u015ffedilen yar\u0131madan\u0131n manzaras\u0131n\u0131 ve \u015fehirlerini […]","protected":false},"author":9,"featured_media":6191,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"tags":[13],"class_list":["post-6196","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","tag-diplomazia-culturale"],"_links":{"self":[{"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/posts\/6196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/comments?post=6196"}],"version-history":[{"count":2,"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/posts\/6196\/revisions"}],"predecessor-version":[{"id":6201,"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/posts\/6196\/revisions\/6201"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/media\/6191"}],"wp:attachment":[{"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/media?parent=6196"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/tags?post=6196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}