\u0130talyan K\u00fclt\u00fcr Merkezi, \u0130talya Ba\u015fkonsoloslu\u011fu ve \u0130stanbul Arkeoloji M\u00fczeleri, 16 Temmuz Pazartesi g\u00fcn\u00fc saat 19: 00’da Arkeoloji M\u00fczeleri Assos Salonu’nda a\u00e7\u0131lacak olan Mimmo Jodice’nin Akdeniz sergisini sunmaktan onur duyar. Sergi 31 A\u011fustos’a kadar a\u00e7\u0131k kalacakt\u0131r.<\/p>\n
Akdeniz sergisi, Akdeniz havzas\u0131n\u0131 dolduran b\u00fcy\u00fck medeniyetlerin efsanelerin, haf\u0131za, k\u00fclt\u00fcr ve panoramas\u0131 olu\u015fturan \u00e7a\u011fda\u015f foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131n en b\u00fcy\u00fck yorumcular\u0131ndan biri Mimmo Jodice\u2019nin siyah beyaz foto\u011fraflar\u0131ndan olu\u015fan sergisini sizlere sunuyor<\/p>\n
Siyah-Beyaz, Akdeniz ve Kuzey Afrika: Mimmo Jodice’nin Akdeniz’e adanan sanatsal g\u00f6r\u00fcnt\u00fcleri en iyi \u015fekilde, \u00fclkemizin \u00f6nemli bir merkez, ge\u00e7mi\u015fin ve g\u00fcn\u00fcm\u00fcz\u00fcn bir kav\u015fa\u011f\u0131, k\u00fclt\u00fcrlerin ve geleneklerin erime noktas\u0131 olan co\u011frafi alandaki \u0130talyan k\u00fclt\u00fcrel diplomasisinin ruhunu yorumluyor.<\/p>\n
Akdeniz, arkeolojik imgeler, a\u00e7\u0131k alanlar ve g\u00fc\u00e7l\u00fc \u0131\u015f\u0131kl\u0131 kontrastlar, beden par\u00e7alar\u0131n\u0131, g\u00f6zle g\u00f6r\u00fclen \u015feyleri sa\u011flam bir \u015fekilde tutan g\u00f6zlerle y\u00fczle\u015ftirenen deniz manzaralar\u0131, eski Akdeniz k\u00fclt\u00fcr\u00fcn\u00fcn esanslar\u0131n\u0131 yo\u011fun bir atmosfer i\u00e7inde anlat\u0131lmaktad\u0131r. Efsane, tekrarlanan ve g\u00fcncellenen, ge\u00e7mi\u015fin ve klasik imgelerinin kesinlikle \u00e7a\u011fda\u015f bir bak\u0131\u015f a\u00e7\u0131s\u0131yla yorumland\u0131\u011f\u0131 yerdir.<\/p>\n
Mare Nostrum, bar\u0131\u015f i\u00e7inde bir arada ya\u015faman\u0131n, kar\u015f\u0131l\u0131kl\u0131 sayg\u0131n\u0131n, a\u00e7\u0131kl\u0131\u011f\u0131n ve d\u00fcr\u00fcstl\u00fc\u011f\u00fcn vazge\u00e7ilmez oldu\u011fu bir diyalog denizidir, zira Akdeniz’in b\u00fcy\u00fck uygarl\u0131\u011f\u0131n\u0131n do\u011fdu\u011fu farkl\u0131 varl\u0131klar\u0131m\u0131z\u0131n kar\u015f\u0131l\u0131l\u0131k ve birlikte varolmas\u0131ndan kaynaklanmaktad\u0131r.<\/p>\n
K\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc D\u0131\u015fi\u015fleri ve Uluslararas\u0131 \u0130\u015fbirli\u011fi Bakanl\u0131\u011f\u0131\u2019n\u0131n Bilimsel komitesi taraf\u0131ndan Trento ve Rovereto Modern ve \u00c7a\u011fda\u015f M\u00fczesi (MART) ve koleksiyon sahibi Coroneo ailesi i\u015fbirli\u011fiyle ger\u00e7ekle\u015fen bir projedir.<\/p>\n
Mimmo Jodice, \u0130talyan foto\u011fraf\u00e7\u0131l\u0131k tarihinin en b\u00fcy\u00fck isimlerinden biridir. 1934 senesinde Napoli\u2019de do\u011fmu\u015f ve halen orada ya\u015famaktad\u0131r. Meslekteki ilk y\u0131llar\u0131ndan beri avangard bir foto\u011fraf\u00e7\u0131 olarak, deneysel anlat\u0131ma ve foto\u011fraf dilinin etkileyicili\u011fine dikkat \u00e7ekerek, \u0130talyan foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131n\u0131n uluslararas\u0131 alanda b\u00fcy\u00fcmesine ve ba\u015far\u0131s\u0131na yol a\u00e7an k\u00fclt\u00fcrel tart\u0131\u015fmalar\u0131n yorulmayan bir kahraman\u0131d\u0131r.<\/p>\n
70\u2019l\u0131 y\u0131llar\u0131n ba\u015f\u0131nda foto\u011fraf\u00e7\u0131l\u0131kla tan\u0131\u015f\u0131r. Daha sonra foto\u011frafik materyaller ve foto\u011fraf\u00e7\u0131l\u0131k olanaklar\u0131 ile sadece a\u00e7\u0131klay\u0131c\u0131 bir ara\u00e7 olarak de\u011fil, yarat\u0131c\u0131 bir ara\u00e7 olarak denemelere ba\u015flad\u0131.Bu y\u0131llar boyunca Mimmo Jodice, o y\u0131llarda Napoli’ye s\u0131k s\u0131k yolu d\u00fc\u015fen en \u00f6nemli avangard sanat\u00e7\u0131larla yak\u0131n temas halindeydi: Wahrol, Beuys, De Dominicis, Paolini, Kosuth, Lewitt, Kounellis, Nitsch ve di\u011ferleri.<\/p>\n
1980’de Jodice, yeni bir kentsel mekan ve manzara tan\u0131m\u0131 \u00fczerinde \u00e7al\u0131\u015farak, her zaman sad\u0131k kalaca\u011f\u0131 uzak bir metafizik \u0131rk\u0131n\u0131n belgesel olmayan fakat vizyoner bir vizyonunu se\u00e7erek, Jodice’nin ger\u00e7eklik \u00fczerine yeni bir ara\u015ft\u0131rmaya ba\u015flad\u0131\u011f\u0131 \u201cVEDUTE DI NAPOLI\u201d adl\u0131 eserini yay\u0131nlad\u0131; bu ara\u015ft\u0131rma kendi dilinde kesin bir d\u00f6n\u00fcm noktas\u0131d\u0131r.<\/p>\n
1985’te, Akdeniz efsanesi \u00fczerine uzun ve derinlemesine bir ara\u015ft\u0131rmaya ba\u015flad\u0131. Neticesinde Philadelphia Sanat M\u00fczesi’nde sergilenen “MEDITERRANEAN” kitab\u0131 NewYork\u2019ta Aperture taraf\u0131ndan bas\u0131ld\u0131.<\/p>\n
1998’de Paris’teki Maison Europ\u00e9enne de la Photographie’de bir sergi ile hem tarihi hem de an\u0131tsal \u015fehre ve \u00e7a\u011fda\u015f metropollere adanm\u0131\u015f olan “PARIS, LIGHT CITY OF” kitab\u0131n\u0131 yay\u0131nlad\u0131. 1998’de Paris’te Maison Europ\u00e9enne de la Photographie bir sergi ile hem tarihi hem de an\u0131tsal \u015fehre ve \u00e7a\u011fda\u015f metropollere adanm\u0131\u015f olan “PARIS, LIGHT CITY OF” adl\u0131 kitab\u0131n\u0131 yay\u0131nlad\u0131.Ayn\u0131 y\u0131l Germano Celant’\u0131n giri\u015f yaz\u0131s\u0131yla Manova\u2019daki Museo di Palazzo Ducale’de bir sergi esnas\u0131nda \u201cEDEN\u201d i \u00e7\u0131kard\u0131; Jodice\u2019nin yapm\u0131\u015f oldu\u011fu do\u011fan\u0131n klasik temas\u0131n\u0131 bir metafor ve \u00f6l\u00fcm\u00fcn habercisi olarak yeniden g\u00f6zden ge\u00e7irdi\u011fi, nat\u00fcrmort hakk\u0131nda kapsaml\u0131 bir ara\u015ft\u0131rmad\u0131r.<\/p>\n
2002 y\u0131l\u0131nda Boston’daki Massachusetts College of Art\u2019ta “INLANDS, BOSTON VISION” ba\u015fl\u0131\u011f\u0131yla kent \u00fczerinde foto\u011fraf ara\u015ft\u0131rmalar\u0131 sergiledi ve ayn\u0131 isimle bir yay\u0131na d\u00f6n\u00fc\u015ft\u00fcrd\u00fc. 2004 y\u0131l\u0131nda, San Paolo\u2019da Museu de Arte\u2019da, kentin kurulu\u015funun 450. y\u0131ld\u00f6n\u00fcm\u00fc dolay\u0131s\u0131yla kendisine yapt\u0131r\u0131lan \u015fehirdeki \u00e7al\u0131\u015fmalar\u0131n\u0131 kapsayan bir ki\u015fisel sergi olan “SAN PAOLO” yu sanat\u00e7\u0131ya adan\u0131r.Ayn\u0131 y\u0131l, ayn\u0131 sergi Japonya’n\u0131n Wakayama kentindeki Modern Sanat M\u00fczesi’nde ve Foto\u011fraf Bienali’nin bir par\u00e7as\u0131 olarak Moskova Foto\u011fraf M\u00fczesi’nde de sergilendi.<\/p>\n
2008’de Richard Burdett ve Cornelia Lauff \u2018un \u00f6nyaz\u0131lar\u0131yla haz\u0131rlanan \u201cROMA\u201d adl\u0131 eseri daha \u00f6nce Paris’te yapm\u0131\u015f oldu\u011fu gibi, antik kenti, R\u00f6nesans’\u0131, Barok’u, turistik ve d\u00f6n\u00fc\u015f\u00fcm\u00fc olan \u00e7a\u011fda\u015f \u015fehri k\u0131yaslad\u0131\u011f\u0131 muazzam bir tiyatroyu and\u0131r\u0131yordu.<\/p>\n
2010 y\u0131l\u0131nda, e\u015fzamanl\u0131 iki antolojik ki\u015fisel sergi daha; Ida Gianelli ve Daniela Lancioni k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde Roma Palazzo delle Esposizioni’de, di\u011feri ise Jean-Luc Monterosso k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde Paris Maison Europ\u00e9enne de la Photographie\u2019de.<\/p>\n
2011 senesinde Jodice, kendi eserlerini sergilemek \u00fczere Louvre M\u00fczesinden davet al\u0131r. \u201cLES YEUX DU LOUVRE\u201d adl\u0131 sergide M\u00fcd\u00fcr\u00fcnden kap\u0131c\u0131s\u0131na kadar m\u00fczede \u00e7al\u0131\u015fanlar\u0131n ve Delacroix, David, Leonardo, Raffaello, Ingres, Bronzino, Delaroche, Parmigianino, Pontormo gibi \u00fcnl\u00fc isimlerin y\u00fcz fotolar\u0131 \u00fczerine bir \u00e7al\u0131\u015fma yapar; bu sayede, ya\u015fayan ve \u00f6l\u00fc olan, \u00e7a\u011fda\u015f y\u00fczlerin, ge\u00e7mi\u015f resimlerin y\u00fczleri ve mutlak s\u00fcreklilik i\u00e7inde, birbirleriyle d\u00fczenli olarak birbirine ba\u011fl\u0131 olan, bir dizi yarat\u0131r.<\/p>\n
2014 senesinde Filippo Maggia k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde Fondazione Fotografia\u2019n\u0131n iste\u011fi \u00fczerine \u201cARCIPELAGO DEL MONDO ANTICO\u201d adl\u0131 eser yay\u0131nlan\u0131r ve 2014 Felsefe Festivalinde Modena Foro Boario\u2019da sunumu ger\u00e7ekle\u015fir.<\/p>\n
2016 senesinde Napoli kenti Andrea Viliani k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde Museo Madre\u2019de \u201cATTESA 1965\/2016\u201d ad\u0131nda \u00e7ok geni\u015f kapsaml\u0131 bir sergiyi Mimmo Jodice\u2019ye adar.<\/p>\n
Bilgi<\/strong><\/p>\n Tarih: ‘den Sal 17 Tem 2018 ‘a Cu 31 A\u011fu 2018<\/p>\n Saat : ka\u00e7tan 09:30 ka\u00e7a 17:00<\/p>\n Giri\u015f : Davetiyeli<\/p>\n","protected":false},"excerpt":{"rendered":"\u0130talyan K\u00fclt\u00fcr Merkezi, \u0130talya Ba\u015fkonsoloslu\u011fu ve \u0130stanbul Arkeoloji M\u00fczeleri, 16 Temmuz Pazartesi g\u00fcn\u00fc saat 19: 00’da Arkeoloji M\u00fczeleri Assos Salonu’nda a\u00e7\u0131lacak olan Mimmo Jodice’nin Akdeniz sergisini sunmaktan onur duyar. Sergi 31 A\u011fustos’a kadar a\u00e7\u0131k kalacakt\u0131r. Akdeniz sergisi, Akdeniz havzas\u0131n\u0131 dolduran b\u00fcy\u00fck medeniyetlerin efsanelerin, haf\u0131za, k\u00fclt\u00fcr ve panoramas\u0131 olu\u015fturan \u00e7a\u011fda\u015f foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131n en b\u00fcy\u00fck yorumcular\u0131ndan biri Mimmo […]","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"tags":[],"class_list":["post-1172","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/posts\/1172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/comments?post=1172"}],"version-history":[{"count":0,"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/posts\/1172\/revisions"}],"wp:attachment":[{"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/media?parent=1172"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ambankara.esteri.it\/tr\/wp-json\/wp\/v2\/tags?post=1172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}